Selected Commentaries & Essays
Kremer has contributed audio commentaries and video essays to more than 200 DVD / Blu-ray releases, including work for labels such as The Criterion Collection, Kino Lorber, and Arrow.
Below is a curated highlights list, not the full catalog. For a full CV, contact confluencefilm@gmail.com.
Selected work
| Label | Release / Film | Type |
|---|---|---|
| AGFA | The Leather Boys (with Sidney Furie) | Audio commentary |
| Kino Lorber | Breaking In (with Bill Forsyth and John Sayles) | Audio commentary |
| Kino Lorber | The Milagro Beanfield War (with Chick Vennera) | Audio commentary |
| Imprint Films | The Molly Maguires (with Nat Segaloff) | Audio commentary |
| Scorpion Releasing | Privilege (1967) | Audio commentary |
| Kino Lorber | Get Crazy (with Allan Arkush and Eli Roth) | Audio commentary |
| Indicator | Deported (1950) | Audio commentary |
| Kino Lorber | He Who Must Die | Audio commentary |
| Imprint Films | “Directed by Sidney J. Furie” Collector’s Set (with Sidney Furie) | Audio commentary |
| Milestone Film & Video | Bushman (with Rob Nilsson) | Audio commentary |
| Imprint Films | New York, New York | Audio commentary |
| Imprint Films | The Life and Death of Colonel Blimp | Audio commentary |
| Imprint Films | Bride of Vengeance (with David Del Valle) | Audio commentary |
| Kino Lorber | Northern Lights (with Rob Nilsson and John Hanson) | Audio commentary |
| Kino Lorber | The Blues Under the Skin | Audio commentary |
| Arrow Video | Westworld | Audio commentary |
| Radiance Films | Back to the Wall | Audio commentary |
| Imprint Films | The Great Ecstasy of Tree-Climber Otto, or How I Learned to Stop Worrying and Love Late Preminger (on Hurry Sundown) | Video essay |
| Imprint Films | The Brando Interregnum: The Decade of Marlon’s “Dirty Dozen” 1962-1972 (on Burn!) | Video essay |
| Imprint Films / Kino Lorber | La Vie en Gris: The Anglophone Louis Malle in Seven Films (on Pretty Baby) | Video essay |
| Kino Lorber | A Cute, Acute Awareness: Toward a Canadian Sensibility in Film (on I’ve Heard the Mermaids Singing) | Video essay |
| Imprint Films | Cinema of the Pilpul: A Talmudic View of Early Holocaust Cinema (on The Pawnbroker) | Video essay |
| Imprint Films | Paralyzed Segments: Suzanne Pleshette Tangled Up in Codes (on A Rage to Live) | Video essay |
| Canadian International Pictures | The Easy Parts Await: Paul Lynch and the Canadian Continuum (on The Hard Part Begins) | Video essay |
| Indicator Films | These Obscure Subjects of Desire: Objectified Women in the Lost Films of Frankenheimer and Lumet (on Impossible Object) | Video essay |
| Cinématographe | Something Approaching Confrontation: A Personal Topology of Paul Schrader’s Cinema Metaphysics (on Touch) | Video essay |
| Cinématographe | To Ensnare is To Enshrine: The Ghostly Layers of Jim McBride’s Breathless (on Breathless (1983)) | Video essay |
| Imprint Films | All the Decisive Moments: Folk Heroes in the Cinema of Gordon Parks (on Leadbelly) | Video essay |
| Severin | Love Left the Masquerade: Peter Medak’s Cinema of Pretenders (on The Ghost of Peter Sellers) | Video essay |
| Kino Lorber / Transmission | Pandemonium Reflex: An Inquest Into Sidney J. Furie’s Night of the Juggler (on Night of the Juggler) | Video essay |
| Imprint Films | A Man of Potential: Visions of Paul Wendkos, the Godard of Gidget (on Guns of the Magnificent Seven) | Video essay |
| Criterion | Between the Lines of Joan Micklin Silver | Written essay |